F.R.Theory/Press 2 for No - Revision history

Bekahllama at 16:57, 27 November 2012

Bekahllama — Tue, 27 Nov 2012 16:57:11 GMT

←Older revision		Revision as of 16:57, 27 November 2012
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	As you open your eyes and the room starts to focus you realize you are no longer in the class room. You are standing in a kitchen by a sink that has a little window just above it. There are two young children sitting at the table and a man is talking to you.		As you open your eyes and the room starts to focus you realize you are no longer in the class room. You are standing in a kitchen by a sink that has a little window just above it. There are two young children sitting at the table and a man is talking to you.
		+

	You look down at your hands and it looks completely unfamiliar to you but they are definitely feminine. You and notice a wedding band on your left hand. A cat runs by you and rubs up against the legs of the kitchen table. The children are giggling and trying to play with the cat's tail.		You look down at your hands and it looks completely unfamiliar to you but they are definitely feminine. You and notice a wedding band on your left hand. A cat runs by you and rubs up against the legs of the kitchen table. The children are giggling and trying to play with the cat's tail.

-	Disoriented, you think, "where am I?"	+
		+	Disoriented, you put your hand out to the sink to steady yourself and think, "where am I?"
		+

	"Mary! What are you doing? You're over cooking the pasta!" the man yells towards you.		"Mary! What are you doing? You're over cooking the pasta!" the man yells towards you.
		+

	"Oh, sorry," you say instinctively and look toward the stove where a pot is boiling with pasta. You go to the stove to drain the pasta but as soon as you drain it the man's face clouds over.		"Oh, sorry," you say instinctively and look toward the stove where a pot is boiling with pasta. You go to the stove to drain the pasta but as soon as you drain it the man's face clouds over.
		+

	"Look what you fucking did!" His voice is raised now, "It's all mushy now! How come you can't even do this one simple thing right?! You are fucking worthless excuse for a human being!"		"Look what you fucking did!" His voice is raised now, "It's all mushy now! How come you can't even do this one simple thing right?! You are fucking worthless excuse for a human being!"
		+


	You don't know this man but you assume that he must be Mary's husband and he thinks that you are Mary. The children are looking concerned and a little on edge like they are bracing for something that is about to happen. They've stopped playing with the cat's tail and are completely silent.		You don't know this man but you assume that he must be Mary's husband and he thinks that you are Mary. The children are looking concerned and a little on edge like they are bracing for something that is about to happen. They've stopped playing with the cat's tail and are completely silent.
		+
		+

	You feel this compulsion to do whatever is in Mary's best interest. But, not knowing what to do or how to get back to your own life you decide to....		You feel this compulsion to do whatever is in Mary's best interest. But, not knowing what to do or how to get back to your own life you decide to....

Bekahllama at 16:16, 27 November 2012

Bekahllama — Tue, 27 Nov 2012 16:16:16 GMT

←Older revision		Revision as of 16:16, 27 November 2012
Line 5:		Line 5:

	The room fades to black.		The room fades to black.
-

	As you open your eyes and the room starts to focus you realize you are no longer in the class room. You are standing in a kitchen by a sink that has a little window just above it. There are two young children sitting at the table and a man is talking to you.		As you open your eyes and the room starts to focus you realize you are no longer in the class room. You are standing in a kitchen by a sink that has a little window just above it. There are two young children sitting at the table and a man is talking to you.

Bekahllama at 16:15, 27 November 2012

Bekahllama — Tue, 27 Nov 2012 16:15:20 GMT

←Older revision		Revision as of 16:15, 27 November 2012
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	* [[Leave the room and try to find out more about Mary]]		* [[Leave the room and try to find out more about Mary]]

-	[[Category: F.R. Theory]]	+	[[Category: F.R.Theory]]

Bekahllama at 16:15, 27 November 2012

Bekahllama — Tue, 27 Nov 2012 16:15:04 GMT

←Older revision		Revision as of 16:15, 27 November 2012
Line 24:		Line 24:
	You feel this compulsion to do whatever is in Mary's best interest. But, not knowing what to do or how to get back to your own life you decide to....		You feel this compulsion to do whatever is in Mary's best interest. But, not knowing what to do or how to get back to your own life you decide to....

-	* [[~~apologize~~ to the man and try calm him down]]	+	* [[Apologize to the man and try calm him down]]
-	* [[~~leave~~ the room and try to find out more about Mary]]	+	* [[Leave the room and try to find out more about Mary]]
		+
		+	[[Category: F.R. Theory]]

Bekahllama: Created page with '
Bekahllama — Tue, 27 Nov 2012 16:14:08 GMT

Created page with '<F.R. Theory As you press button number 1 you feel like your whole body is being thrown forward and the room begins to blur as if the room is rushing by you. The room fade…'

New page
<[[F.R. Theory]]

As you press button number 1 you feel like your whole body is being thrown forward and the room begins to blur as if the room is rushing by you.

The room fades to black.

As you open your eyes and the room starts to focus you realize you are no longer in the class room. You are standing in a kitchen by a sink that has a little window just above it. There are two young children sitting at the table and a man is talking to you.

You look down at your hands and it looks completely unfamiliar to you but they are definitely feminine. You and notice a wedding band on your left hand. A cat runs by you and rubs up against the legs of the kitchen table. The children are giggling and trying to play with the cat's tail.

Disoriented, you think, "where am I?"

"Mary! What are you doing? You're over cooking the pasta!" the man yells towards you.

"Oh, sorry," you say instinctively and look toward the stove where a pot is boiling with pasta. You go to the stove to drain the pasta but as soon as you drain it the man's face clouds over.

"Look what you fucking did!" His voice is raised now, "It's all mushy now! How come you can't even do this one simple thing right?! You are fucking worthless excuse for a human being!"

You don't know this man but you assume that he must be Mary's husband and he thinks that you are Mary. The children are looking concerned and a little on edge like they are bracing for something that is about to happen. They've stopped playing with the cat's tail and are completely silent.

You feel this compulsion to do whatever is in Mary's best interest. But, not knowing what to do or how to get back to your own life you decide to....

* [[apologize to the man and try calm him down]]
* [[leave the room and try to find out more about Mary]]