Take the right path - Revision history

The Uncanny at 17:58, 10 May 2012

The Uncanny — Thu, 10 May 2012 17:58:44 GMT

←Older revision		Revision as of 17:58, 10 May 2012
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	You continue walking for another ten minutes and the trees thin out. You see buildings in the near distance but quickly realise that the area is not residential, but industrial. That is going to make finding clothes harder. On the plus side you're back in the sunshine.		You continue walking for another ten minutes and the trees thin out. You see buildings in the near distance but quickly realise that the area is not residential, but industrial. That is going to make finding clothes harder. On the plus side you're back in the sunshine.

-	You wander the streets. ~~They~~'re fairly quiet but as you walk you still pass a middle-aged guy and a teenage boy who both stare at your naked body transfixed. The boy waves. You wave back.	+	You wander the streets. It's fairly quiet but as you walk you still pass a middle-aged guy and a teenage boy who both stare at your naked body transfixed. The boy waves. You wave back.

	The day is getting away from you and the sun is setting. You turn into a nondescript street with a low fence running alongside a squat, dark warehouse. Suddenly you're aware that a car is approaching from the other end of the street.		The day is getting away from you and the sun is setting. You turn into a nondescript street with a low fence running alongside a squat, dark warehouse. Suddenly you're aware that a car is approaching from the other end of the street.

The Uncanny at 17:57, 10 May 2012

The Uncanny — Thu, 10 May 2012 17:57:43 GMT

←Older revision		Revision as of 17:57, 10 May 2012
Line 3:		Line 3:
	You wander the streets. They're fairly quiet but as you walk you still pass a middle-aged guy and a teenage boy who both stare at your naked body transfixed. The boy waves. You wave back.		You wander the streets. They're fairly quiet but as you walk you still pass a middle-aged guy and a teenage boy who both stare at your naked body transfixed. The boy waves. You wave back.

-	The day is getting away from you and the sun is setting. You turn into a nondescript street with a low fence running alongside a squat, dark warehouse. Suddenly you ~~realise~~ that a car is approaching from the other end of the street.	+	The day is getting away from you and the sun is setting. You turn into a nondescript street with a low fence running alongside a squat, dark warehouse. Suddenly you're aware that a car is approaching from the other end of the street.

	Do you:		Do you:

The Uncanny: Created page with 'You continue walking for another ten minutes and the trees thin out. You see buildings in the near distance but quickly realise that the area is not residential, but industrial. …'

The Uncanny — Thu, 10 May 2012 17:55:22 GMT

Created page with 'You continue walking for another ten minutes and the trees thin out. You see buildings in the near distance but quickly realise that the area is not residential, but industrial. …'

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You continue walking for another ten minutes and the trees thin out. You see buildings in the near distance but quickly realise that the area is not residential, but industrial. That is going to make finding clothes harder. On the plus side you're back in the sunshine.

You wander the streets. They're fairly quiet but as you walk you still pass a middle-aged guy and a teenage boy who both stare at your naked body transfixed. The boy waves. You wave back.

The day is getting away from you and the sun is setting. You turn into a nondescript street with a low fence running alongside a squat, dark warehouse. Suddenly you realise that a car is approaching from the other end of the street.

Do you:
*[[Try to hop the fence]]
*[[Turn back and run into an alleyway you just passed]]
*[[Keep walking and flag down the car]]
{{RampageTemplate|who=[[Sister Anna|Young, attractive nun]]}}
[[Category: Rampage]]